Current role
Director
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Qwestrum — Career Profile
Director | Arts & Entertainment | London, UK
From English literature graduate to FTII to indie director. Documenting the real career story behind a debut feature — the rejection letters, the script that took four years, the festival circuit. For the next person considering film as a path without family connections.
I share this so the next student can see what the middle years actually look like — not the highlight reel.
IIT Madras — Education
Discovered cinema as language during a film appreciation elective. Wrote a play, then a one-act, then a 12-minute short shot on my phone.
Parents wanted a stable job; I wanted to apply to film school. Three years of polite arguments.
Films are written before they are shot. Read widely; cinema is rich because literature taught it grammar.
Story analysis, reading like a writer, college theatre, short film clubs
FTII — Higher Studies
Three years at FTII. Slept in editing rooms. Made four short films, two went to festivals.
Politics of film school. Competition for camera time. Realising talent is necessary but not sufficient.
Film school teaches you the difference between an idea and a story. The first costs nothing; the second costs years.
Direction craft, screenwriting, cinematography fundamentals, editing, sound design
Yash Raj Films — First Job
Four years assisting on three feature films. Watched veteran directors block scenes, fight with producers, hold the room.
Long hours; lower pay than friends in tech. Watching less talented peers get breaks because of last names.
An AD job is the best film school. Notice everything; ask later.
Set management, continuity, working with stars, schedule recovery, learning silence
Self — Failure and Lesson
Wrote three feature scripts. Pitched to 27 producers over two years. Got polite encouragement and no money.
Watching my bank balance drop while peers built houses. Two relationships ended because of the uncertainty.
In creative careers, the dry years are the years your style forms. Nobody tells you because they look like failure from outside.
Patience, screenwriting through rewrites, pitching to producers, networking
BBC — Achievement
Debut feature picked up by BBC. Premiered at an A-list festival. Theatrical release in three countries.
Reading reviews of my own film. Learning that promotion is half the job, not an afterthought.
Your first film is judged by your last one. Make the second one fast; do not chase the buzz.
Optioned the next project before the debut released. Started a small production company with two colleagues.
Save 18 months of runway before quitting your day job. Creative careers do not negotiate with rent.
Feature direction, post-production supervision, festival strategy, audience engagement
Biography-focused profile
Director | Arts & Entertainment | London, UK
Film Director
Arts & Entertainment | 11 years experience
Current role
Director
Education
IIT Madras (2015)
Short bio
From English literature graduate to FTII to indie director. Documenting the real career story behind a debut feature — the rejection letters, the script that took four years, the festival circuit. For the next person considering film as a path without family connections.
Why I'm sharing
I share this so the next student can see what the middle years actually look like — not the highlight reel.
Journey overview
Duration: 3 years
Discovered cinema as language during a film appreciation elective. Wrote a play, then a one-act, then a 12-minute short shot on my phone.
Duration: 3 years
Three years at FTII. Slept in editing rooms. Made four short films, two went to festivals.
Duration: 4 years
Four years assisting on three feature films. Watched veteran directors block scenes, fight with producers, hold the room.
Duration: 3 years
Wrote three feature scripts. Pitched to 27 producers over two years. Got polite encouragement and no money.
Duration: 4 years (ongoing)
Debut feature picked up by BBC. Premiered at an A-list festival. Theatrical release in three countries.